Contribution in an anthology

Appeared in: Musikpsychologie – Akustik und musikalische Hörwahrnehmung

Editor list: Auhagen, Wolfgang; Bullerjahn, Claudia; Louven, Christoph

Publication year: 2017

Pages: 48-78

ISBN: 978-3-8017-2857-1

Title of series: Jahrbuch der Deutschen Gesellschaft für Musikpsychologie

Number in series: 27

Abstract: 

In our study we focus on perception and mental representation of musical styles in recipients using black metal music. Instead of an exclusively fan-centered approach, differences in listening experience, musical expertise and music preference of recipients were taken into account. An online questionnaire with sound examples was used to collect situational judgements from a German sample (N = 764). Nikettas study (1990) concerning prototypicality of rock music served as a model. Using a primarily exploratory research approach we aimed for a critically revised partial replication. Comparisons with Niketta’s results make the generation of hypotheses possible and facilitate further research. More evaluations of our data were already reported in Hantschel & Bullerjahn (2016).

Harvard Citation style: Bullerjahn, C. and Hantschel, F. (2017) Musikstile als Prototypen. Teilreplikation einer Studie von Reiner Niketta (1990) am Beispiel von Black Metal, in Auhagen, W., Bullerjahn, C. and Louven, C. (eds.) Musikpsychologie – Akustik und musikalische Hörwahrnehmung. Göttingen: Hogrefe, pp. 48-78

APA Citation style: Bullerjahn, C., & Hantschel, F. (2017). Musikstile als Prototypen. Teilreplikation einer Studie von Reiner Niketta (1990) am Beispiel von Black Metal. In Auhagen, W., Bullerjahn, C., & Louven, C. (Eds.), Musikpsychologie – Akustik und musikalische Hörwahrnehmung (pp. 48-78). Hogrefe.